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SOLO, 2- & 3-PERSON EXHIBITIONS |
2020
2015
2012
2011
2010
2009
|
Interconnected, Crooked Tree Arts Center, Petoskey, MI (3-person)
Vibrations, MARGARET THATCHER PROJECTS, New York, NY (3-person)
Emblematic/Made in WNC, The Center for Craft Creativity and Design, Asheville, NC (solo project/catalog)
SelvEDGE, Rutledge Gallery, Winthrop University, Rock Hill,
SC
Marked Up, Upstairs Artspace, Tryon, NC
Roomful, LMAKprojects, New York, NY
We're Not Here to Waste Time!, Luis de Jesus, Los Angeles,
CA (3-person)
Dis/order, Artspace, Raleigh, NC (2-person)
Warm for Winter, Cold for Fall, p|m Gallery, Toronto, Canada
Recombination, LMAKprojects, New York, NY
Reverse Engineering, Mazmanian Art Gallery, Framingham
State College, Framingham, MA
|
| 2007 |
Imperfectionism, LMAKprojects
Williamsburg, Brooklyn, NY
Spilled Milk, OH&T Gallery,
Boston, MA
Happy Accident, Flood Fine Art Center,
Asheville, NC (3-person)
Artist-in-Residence Open
Studio, CUE Art Foundation, New York, NY |
2005 |
Mixed Messes, OH&T Gallery, Boston, MA |
| |
SELECTED GROUP EXHIBITIONS |
2020
2019
2018
2017
2016
2015
2014
2013
2012
2011
2010
2009
|
By A Thread, Tracey Morgan Gallery, Asheville, NC
Women's Work: Redress, Sheep/Not Sheep Gallery, Columbus, OH
Sheep, Sheep/Not Sheep Gallery, Columbus, OH
Cloth and Canvas, Wedge at Foundation, Asheville, NC
Opening Eyes, Satellite Gallery, Asheville, NC
Lace, Not Lace, Hunterdon Art Museum, Clinton, NJ
Inaugural Installation, Schiff-Bresler Family Fiber Arts Gallery, Mint Museum, Charlotte, NC
Women's Work: Revised, Muse Gallery, Columbus, OH
Contemporary Southern Textiles, Blue Spiral 1, Asheville, NC
Needle's Eye, The National Museum of Decorative Arts and Design, Oslo, Norway
Women and Abstraction, The Cornell Fine Arts Museum, Winter Park, FL (catalog)
Millhands / Hand Made, Blowing Rock Art and History Museum, Blowing Rock, NC
Needle's Eye, KODE - The Art Museum of Bergen, Bergen, Norway (catalog)
Table, Visual Arts Center of Richmond, Richmond, VA
Pulp Culture – Paper is the Medium, Morris Museum, Morristown, NJ
Women, War and Industry, San Diego Museum of Art, San Diego,
CA
A Girl and a Gun, Asheville Area Arts Council Gallery,
Asheville, NC
Threads, Dowd Gallery, SUNY Cortland, Cortland, NY (catalog)
Seeing is Believing, Upstairs Artspace, Tryon, NC
Paperless, SECCA: Southeastern Center for Contemporary Art,
Winston-Salem, NC (catalog)
Textility, Visual Arts Center of New Jersey, Summit, NJ
NC Arts Council Artist Fellowship Award Exhibition, Turchin Center for the
Visual Arts, Boone, NC
Waking Up With Van Gogh, Hickory Museum of Art, Hickory, NC
Paperwork in 3D, Shelburne Museum, Shelburne, VT
Love Lace, The Powerhouse Museum, Sydney, Australia
Summer Show, Part 1., p|m Gallery, Toronto, CA
Color Study, Asheville Art Museum, Asheville, NC
Simmons Collects: Celebrating Women Artists, Trustman Art Gallery,
Simmons College, Boston, MA
The Chalk Line, Walker Arts Center, The Asheville School, Asheville,
NC
Wrap Your Head Around This, Drake Hotel, Toronto, CA
Eat Drink Art Design, Museum of Arts & Design, New York, NY
Group Show, Luis De Jesus, Los Angeles, CA
SLASH: Paper Under The Knife, Museum of Arts & Design, New
York, NY (catalog)
Strich & Faden - Heimat, Volkskunst und Travestie - Part II, Kunstraum
Richard Sorge, Berlin, Germany
Motion Blur - American Craft, Gustavsbergs Konsthall, Gustavsberg,
Sweden (catalog)
Global Fabrics, Common Threads,
ISE Cultural Foundation, New York, NY
Narrative Thread, Lyons Wier Ortt Contemporary Art,
New York, NY
|
| 2008 |
Art on Paper 2008, Weatherspoon
Art Museum, Greensboro, NC
MEND: Love, Life & Loss, Halsey Institute of Contemporary Art,
Charleston, SC
Overload, ATHICA: Athens Institute for Contemporary Art, Athens,
GA
a matter of LIFE OR DEATH, Spring Design and Art, Brooklyn,
NY
Metropolitan Home's Showtime House (DEXTER Dining Room), New
York, NY |
2007 |
Pricked: Extreme Embroidery, Museum of Arts & Design, New
York, NY (catalog)
Making the Most of It, Islip Art Museum, East Islip, NY (catalog)
Fall 2007 Artist-in-Residence Exhibition, McColl Center for
Visual Art, Charlotte, NC
The Story Goes, McKenzie Fine Art, New York, NY
On Ice, Williams Center Art Gallery, Lafayette College, Easton,
PA (catalog) |
2006 |
Saltonstall: The First 10 Years, Herbert F. Johnson Museum of
Art, Cornell University, Ithaca, NY (catalog) |
2005 |
The Gift: Building a Collection for the Queens Museum, Queens
Museum of Art, Queens, NY
Queens Museum of Art Benefit,
Queens Museum of Art, Queens, NY (catalog) |
2004 |
Queens International 2004, Queens Museum of Art, Queens,
NY (catalog)
Twisted: Another Look at Everyday
Life, OH&T Gallery, Boston, MA |
2003 |
Better Homes and Gardens, Zoller Gallery,
Penn State University, State College, PA
Uncommon Threads,
Delaware Arts Center Loft Gallery, Narrowsburg, NY
Threadbare:
Subversive Aesthetics, SAC Gallery, Stony Brook University,
Stony Brook, NY
Emerging Curators' Showcase, Viewing
Room, New York, NY |
2002 |
Artists to Artists, Ace Gallery, New
York, NY (catalog) |
2001 |
Surface: Structure & Substance, New Harmony
Gallery, New Harmony, IN |
2000 |
Blurred Boundaries, Arts Center of the Capital Region,
Troy, NY
Small Works, Williamsburg Art & Historical
Center, Brooklyn, NY |
| |
GRANTS / AWARDS |
|
2010
2008 |
North Carolina Arts Council, Artist Fellowship Award
The Pollock-Krasner Foundation, Individual Artist Fellowship |
2007 |
McColl Center for Visual Arts, Artist-in-Residence
CUE Art Foundation, Artist-in-Residence |
2006 |
Vermont Studio Center, Full Fellowship |
2005 |
New York Foundation for the Arts, Artist's Fellowship Grant |
2004 |
Ithaca Fine Chocolates, Art Bars Artist |
2002 |
Constance Saltonstall Foundation for the Arts, Summer Residency |
2001 |
Marie Walsh Sharpe Art Foundation, Space Program |
|
SELECTED BIBLIOGRAPHY
Diana C. Stoll, "How did Asheville make the list of 40 most vibrant art communities in America?" Burnaway,
Aug 29, 2018
Julia Skelly, "Radical Decadence", (New York: Bloomsbury Academic, 2017)
Joyce Lovelace, "Ruin
and Redemption", American Craft, June/July, 2016
Paul M. Howey, "Cover
Artist Nava Lubelski", The Laurel of Asheville, April,
2016
Kimberly Irwin, Surface
Design for Fabric, (New York: Fairchild Books, 2015)
Anna Cipollone, "A Stitch in Time: Mistake and Mending In Nava
Lubelski's Fiber Art," Lone Wolf Magazine, Fall/Winter
2013
Steven Matijcio (Ed.), paperless
(Winston-Salem: SECCA, 2012)
Barbara Schreiber, "Can
you repeat that? Inspired replication fills galleries this month,"
Charlotte Observer, Nov. 23, 2012
David M. Lubin, "paperless," ArtForum, October, 2012
Tom Patterson, "Outstanding
exhibitions in local galleries hard to find," Winston-Salem
Journal, Dec. 30, 2012
Patricia Malarcher, "Textility",
Surface Design Journal, Fall 2012
Ken Keuffel, "Going
'paperless'," Winston-Salem Journal, May 13, 2012
Melissa Stern, "In
Stitches: Lubelski Weaves and Shocks," City Arts,
Nov. 8, 2011
AIA Staff, "The
Lookout: A Weekly Guide to Shows You Won't Want to Miss,"
Art in America, Nov. 3, 2011
Kris Scheifele, "Nava
Lubelski: Roomful at LMAKprojects," On-Verge, Nov.
2, 2011
Ursula Gullow, "Color Study: Art Museum's Exhibit Mixes it Up,"
Mountain Xpress, Aug. 3, 2011
Sissel Gunnerød, "Flekken: Problem Eller Poetisk Potensial?,"
Personae, #1/2, 2011
Tong Chin Thing, "Taxed and Rejected: Nava Lubelski is plotting
against her old tax returns and rejection letters," Home Concepts
- Malaysia Edition, Jul/Aug, 2011
Robert Klanten & Birga Meyer (Eds.), Papercraft
2 (Berlin: Gestalten, 2011)
Peter Frank, "Haiku
Reviews: Peter Frank and George Heymont On Theatre And Painting,"
The Huffington Post, Apr. 8, 2011
Annie Buckley, "Critics'
Picks: Los Angeles: 'We're Not Here to Waste Time!'," Artforum.com,
Mar. 31, 2011
Sharon Mizota, "Art
Review: 'We're Not Here to Waste Time' at Luis De Jesus,"
Los Angeles Times, Mar. 25, 2011
Terence Dick, "Nava
Lubelski at P|M Gallery", Akimblog, Jan. 18, 2011
R.M. Vaughan, "Nava
Lubelski at P|M Gallery", The Globe and Mail, Jan.
15, 2011
"On
Air: News & Openings," ArtSync TV, Dec. 3, 2010
Ursula Gullow, "Picture
Imperfect," Verve Magazine, Oct. 1, 2010
Olga Zapisek, "Paper: Not Just Writing Material," Chic Today,
Oct. 26, 2009
David Revere McFadden, Slash:
Paper under the Knife (5 Continents Editions, 2009)
Amy Shaw, "Nava Lubelski at LMAKprojects", Greenjeans Blog,
Jan. 26, 2009
Karen Rosenberg, "Art in Review: Nava Lubelski", The New York
Times, Jan. 23, 2009
Iván López Munuera, "¿Es Posible Un Picasso de Los Tapetes de
Crochet?", Pasajes Diseño, Dec.,
2008
Frédérique Joseph-Lowery, "Embroidery Goes Contemporary", Art
Press, Dec. 2008
The Buhl Collection, 2009 Calendar, Dec.,
2008
Nick Smith, "Embroidered Truth: Mend is a modern use
of old-fashioned threads", Charleston City Paper, Nov.
12, 2008
L'Etoile Magazine Staff, Friday Art Pick: Nava Lubelski, Twin
Cities Daily Planet, July 3, 2008
Nadine Monem (Ed.), Contemporary
Textiles: The Fabric of Fine Art (London: Black Dog Publishing,
2008)
Stacy Perman, "Business
Advice for Artists from Artists", BusinessWeek.com,
April 11, 2008
Ursula Gullow, "Art
Seen Asheville - Nava Lubelski", URTV, April, 2008
Jill Ingram, "Guideposts: Artist Profile, Nava Lubelski", WNC
Magazine, March/April, 2008
"News: Extreme Embroidery", Embroidery Magazine (U.K.),
March/April, 2008
New American Paintings, #74 Northeast, February/March,
2008
Barbara A. MacAdam, "Pricked: Extreme Embroidery", ARTnews,
February, 2008
Andrea DiNoto, "Pricked: Extreme Embroidery", American Craft,
Jan. 24, 2008
"Goings on About Town: Art", The New Yorker, Dec. 3,
2007
"Home & Garden Calendar: Stitchery", The New York Times,
Nov. 22, 2007
Leslie Camhi, "Let's Get Stitched: A radical take on an old art,
'Pricked' needles the traditional craft of embroidery", The
Village Voice, Nov. 20, 2007
Hillary Rhodes, "Photo Package: Embroidery Gets 'Extreme'", Associated
Press, Nov. 15, 2007
Joel Withrow, "Pricked: Extreme Embroidery", Flavorpill,
Nov. 8, 2007
David Revere McFadden, Pricked: Extreme Embroidery (New
York: the Museum of Arts & Design, 2007)
Ariella Budick, "Objects Round the House Now Objets d'Art at Islip",
Newsday, Oct. 19, 2007
Arthur Whitman, "Artists I Like: Nava Lubelski", Art & Perception,
Jun.
26, 2007
Bara Sapir, "Portfolio: Nava Lubelski," Zeek,
August, 2006
Cate McQuaid, "Paintings Make the Domestic Daring," The Boston
Globe, Mar. 18, 2005
Jonathan Fardy, "Invention and Tradition in Six Shows," ARTSmedia,
Mar/Apr, 2005
James Reed, “They Just Want to Have Fun,” The Boston
Globe, Mar.
5, 2005
Christopher Howard, "Queens International 2004," The Brooklyn
Rail, Feb,
2005
Mindy Bond & Raphie Frank, "Nava Lubelski, Artist and Author,"
gothamist.com, Jan. 5, 2005
Cate McQuaid, "Exhibits Provide New Viewpoints on the 50s," The
Boston Globe, Feb. 20, 2004
Carly Carioli, "Editor's Picks," The Boston Phoenix, Feb.
8, 2004
Marianne Rohrich, "Walls With Personality," The New York Times,
Oct. 10, 1996
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PUBLISHED WRITING
Nava Lubelski, The Starving Artist's Way, (New York: Three
Rivers Press, 2004)
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ILLUSTRATION
Mary Rechner, Hot Springs, (Los Angeles: Cloverfield Press,
2005), Illustration by Nava Lubelski
Nava Lubelski, The Starving Artist's Way, (New York: Three
Rivers Press, 2004) |
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EDUCATION
Wesleyan University, Middletown, CT, BA,
Russian Language, Literature and History
Certificate in Russian Language, Moscow Institute of Steel & Alloys,
Moscow, Russia
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©
2004-2020 Nava Lubelski, All Rights Reserved.
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